08 February 2008

Tops to bottoms: The official When In Doubt, Clap! 2007 album list

Chad and Greg Wilcox team up to bring you the best and worst in music from 2007

Every year everyone creates these lists of their favorite (or least favorite) albums released during that year. This is yet another one of those lists, completely arbitrary and decided by Greg and I. This is by no means definitive, but based solely on what we listened to during the year (i.e. indie, punk, rock, etc.). Without further justification, I present you with the ten albums dubbed When In Doubt's ten most loved of '07 and ten albums that definitely could have been better.


From the top:


1. LCD Soundsystem – Sound of Silver

James Murphy and crew put out a brilliant follow-up to their 2005 self-titled release. The disco-punk outfit’s second album, Sound of Silver, shot the band somewhat into the mainstream, as did their fall tour with Arcade Fire. The use of tinfoil on the album cover and in the video for "North American Scum" didn't hurt either. Standout tracks include “North American Scum,” “Someone Great,” “All My Friends” and “Get Innocuous.”


2. Arcade Fire- Neon Bible

The Canadian group’s sophomore album was released to varied reviews, but over the course of 2007, it has proved to have staying power that many albums released this year lacked. Their tour with LCD Soundsystem that finally brought them to Utah didn’t hurt either. Good tracks on the album include "Black Mirror," "Intervention," "Keep the Car Running" and "No Cars Go" which was actually a new version of a song they had previously released.


3. The National - Boxer

After the success of Alligator, The National was up against some serious scrutiny from fans and critics, but with songs like "Fake Empire," they pulled off one of the best and most unique albums of the year.



4. Radiohead- In Rainbows

This album was the surprise of the year. Not until right before Yorke and the band self-released In Rainbows was it even much on the radar. But when it finally hit the Internet (at whatever price you decided) and the airwaves, Radiohead catapulted themselves further into music history.


5. Kings of Leon – Because of the Times

The southern rockers put out their third full length to polarizing results. Because of the Times took a chance on not just being another southern rock album and pushed the envelope on what people knew about the Kings of Leon. This album deserves recognition if, for nothing else, being the album to take a chance and catch on with a majority of people who were open to listening.

6. Arctic Monkeys – Favourite Worst Nightmare
Though not necessarily a sequel to Whatever People Say I am, That’s What I’m Not, Favourite Worst Nightmare proved that the Arctic Monkeys had the power to stick around and not fade out after an amazing initial release, like so many bands in their position have in years passed.

7. Stars- In Our Bedroom After the War
Canada’s Stars took stand when battling the super early leak of their album In Our Bedroom After the War hit the Net months before it was set to be released officially. To combat the leak, the band took a different turn than most bands have done before them, they advanced a copy to online music outlets like iTunes and eMusic so folks who wanted a legal, real copy of the album wouldn’t have to be tortured for months with the music being readily available.

8. Eliott Smith- New Moon
Even from beyond the grave Elliott Smith makes the list with his amazing b-side album featuring unreleased material from this incredible singer/songwriter.

9. Feist- The Reminder
Leslie Feist reminds the world why she is such a good artist with The Reminder. How could tunes like “My Moon, My Man” or “1 2 3 4” be overlooked when considering the music that made 2007 great?

10. The Shins – Wincing the Night Away
Wincing the night away is not something a listener of this album would be doing. Following up their success with Chutes Too Narrow, sparked by Garden State, The Shins keep the stone rolling with a real solid effort here.
Great albums that didn’t quite make the list: Justice - †, White Rabbits – Fort Nightly, Fiery Furnaces – Widow City, !!! – Myth Takes, New Pornographers - Challengers.


Hold it down:


1. Blaqk Audio – CexCells

Imagine AFI going trying to make it as an electro-new wave band and you have Blaqk Audio. Davey Havok and Jade Puget should stick to what they’re good at - being members of AFI.



2. Liars - Liars

There’s a fine line between art and crap. It rhymes with art and begins with the letter “f.” That’s about the best comparison for this album. It stinks and should never be present in social situations.


3. Say Anything – In Defense of the Genre

Their next album will be entitled In Defense of Our Last Album – and defending it needs, badly.



4. Portugal. the Man – It's Complicated Being a Wizard

Trying to figure out what drugs these guys were on when they put out this EP is more complicated than being a wizard. This album which begins with the whole album as one track then splits them up and repeats them, was floppy and likely sounded better on drugs than it does to a sober ear. Luckily, they also released Church Mouth this year which reminded everyone that Portugal. the Man are really a decent band.

5. Cartel – Cartel

They made the album in a giant bubble. What more needs to be said, it’s a gimmick within a gimmick.


6. Saves the Day – Under the Boards
Since being dropped from their major label deal, a more angry, stripped Saves The Day have tried to make a comeback and prove that the drop was a mistake. With this new album, the second in a series of three albums that are supposed to comprise some sort of story, Saves The Day are showing the world just why they were lost in the major label shuffle.


7. Fall Out Boy – Infinity on High
The name of the album describes the exact opposite of the final product. Sometimes it’s better not to try so hard to reinvent yourself.

8. B-sides albums collectively
A lot of bands tried to release albums chronicling all of the songs they never put on their other albums. The result: albums with songs most fans of the band had years ago.

9. Motion City Soundtrack – Even If it Kills Me
Faced with trying to top their last album, Commit This to Memory, Motion City Soundtrack stepped up to the plate, but Even If It Kills Me was a swing and a miss.

10. Apples in Stereo – New Magnetic Wonders
This album wasn’t THAT bad, but it wasn’t that good either. That’s why it only barely makes an appearance here. At least everyone can stop wondering what an apple would sound like in stereo.


2007 was a year of great music and terrible gimmicks. 2008 seems to be shaping up to be about the same.

...And we're back

After taking the holidays off, getting back into school, becoming a parent and so on, I've kind of fell off the horse with When In Doubt, Clap! But now I'm back and ready to start this thing up again, since so many people read this these days...

Anyway, I've got some good articles to post up, and if I can ever get some videos I've done onto YouTube, I'll post all 'em up as well. Just FYI, the videos I'm referring to include a mini documentary that I put together and a series of news packages I put together for school. Nothing super impressive, but still pretty cool.
And now back to our regular programming...

16 November 2007

Super fan or super freak?

An Iowa man wants his name change to reflect his one true love

After Microsoft Zune super fan Steven Smith, better known as the Zune Guy to the online communities that know him, got his third Zune-themed tattoo the question that begged answering was what’s next?

The answer came when Smith posted in the zunescene.mobi forums that he is now in the process of changing his name to “Microsoft Zune.”

Within the post Smith made it clear that he wanted to make the change all-inclusive. “Also if I get what I want and this goes through I will be changing all my important documents over to my ‘new name.’ So look back sometime for a Iowa driver's license with my new name, lol.”

Smith also claims that he has done some initial research on the feasibility of changing his name to that of a trademarked product. He claims that, according to what he found, that the change could be made as long as the person changing their name is not benefiting from the change or doing it to harm the company or product in any way.

Naturally once major technology blog sites caught wind of this news, the “Zune tattoo guy” was quickly a topic of much discussion, drawing both encouraging and negative feedback from various places on the Web.

Steven Smith’s dream of becoming Microsoft Zune may not be as farfetched as it sounds. American professional wrestler Brian Hellwig, best known as the Ultimate Warrior in the WWF, legally changed his name to Warrior in 1993 in order to use the name outside of the WWF.

A man named John Sterling reportedly changed his name legally to Sony PlayStation after becoming obsessed with the game console. And who could forget in March 2005 when Terri Iligan auctioned off her name on E-Bay and legally changed her name to GoldenPalace.com, the winning bid, for $15,000.

Currently any further information about Smith’s quest to become Microsoft Zune is still under wraps. But he has promised that he will be making video posts to document his quest in the zunescene forums.

15 November 2007

Since when did the genre need defending?

New album proves why the band is called Say Anything

For fans of the new double disc opus from Say Anything, In Defense of The Genre, the October release date could not come fast enough. Now the album is finally up for release and it’s time to take a look at whether all the fuss surrounding this defender of genres was actually deserved.

Max Bemis has never really been a polished vocalist, whether considering his crude lyrics, forced rhymes or the fact that throughout half of the album he sounds like he’s passing a stone, Bemis definitely doesn’t try to sugar coat his messages on this album.

From the get-go on the first disc of In Defense it becomes obvious this album is, as Bemis himself puts it, “a comet of verbal vomit” as well as all over the place in terms of musical stylings. While In Defense sticks pretty close to its rock groundings, it also bounces between dirty ballads, synthesized pop, hardcore, emo and a variety of other random attempts to be somewhat of an all encompassing defense of exactly what genre?

The album hits its lowest point (excluding the heavy sprinkling of f-bombs throughout most of the tracks) comes in the form of a heavy puking sound right in the middle of, ironically enough, “Hangover Song.” The vomit splattering over the top of vulgar lyrics pretty much epitomizes the depth of the lyricism involved with In Defense. That and the line “so I’ll go out and get crunk with my friends.” Just because “crunk” made it into the dictionary, it doesn’t mean you have to use it.

But in defense of the album, a more-than-healthy dose of vocal guests appear on the album join up with Bemis to mask his sketchy, rough singing. Guests include Pete Yorn DJ Swamp and members of Alkaline Trio, New Found Glory, Paramore, Taking Back Sunday, The Almost, My Chemical Romance, Circa Survive, Saves The Day, Dashboard Confessional and The Starting Line.

Kenny Vassoli even provides some pretty brilliant vocals. His pleas that accompany a string arrangement that support the actual song create an amazing close to “Plea” and the album itself.

In Defense of The Genre has its moments where it shines through (“Baby Girl, I’m a Blur,” “That Is Why” and “Plea”) but overall it’s only maybe worth a single spin through. That is, if you can make it through songs like “This is F***ing Ecstasy,” “An Insult to the Dead,” “Died a Jew,” “Spores,” “Spay Me” and “You’re The Wanker, If Anyone Is.”

01 November 2007

Happy November + The Mystery of the B-Side Albums

November is finally here, which means Thanksgiving, having Christmas everything crammed down your throat for the next month and half and last, and more relative to When In Doubt, Clap!, a number of bands are putting out albums of unreleased material and b-sides from previous albums.

Included in the list of bands putting out albums full of not-so-new material during November are Copeland, The Format, The Killers, Thursday and Anberlin.

Coincidentally, three of these albums (with the exception of Kill The House Lights by Thursday and Sawdust by The Killers), a deluxe two-disc edition of U2's Joshua Tree and an album of material from Taking Back Sunday off of Tell All Your Friends will hit shelves on exactly the same day - Nov. 20.

Even though Thursday's album was released Oct. 30 and The Killers released Sawdust Nov. 13, you've got to wonder, what's the mysterious fixation surrounding this pre-Thanksgiving release date?

That's what I'd like to know. Was there some sort of contract time where they couldn't do anything with these songs after Thanksgiving or vice versa? I really don't know what the reasoning is, but I would love to find out.